The ideal case would be having a keyboard that has a USB Audio Interface, like the Roland RD-2000, the Korg Kross 2, or Yamaha’s newest keyboards. If you’re interested in learning about other popular piano libraries, check out this article where Samantha covers some of the industry’s preferred piano sounds. In this tutorial, we’ll be working with Addictive Keys, as it includes a more intuitive user interface and customization options. This is an incredible piano library that rivals the expensive industry standard packs, and did I mention it’s free?Įither way, these are some good options for beginners, and both are well worth checking out. Give it a shot to find if it is for you.įor the more frugal crowd, we also recommended the free combo of the sforzando sample player, and the Ivy Piano in 162 sample pack. If you aren’t willing to shell out for Addictive Keys, a 10-day trial is available. It also includes a standalone version, which lets us skip past the complicated topic of VST hosts and DAWs. In our article on the best sub-$150 keyboards, we recommended Addictive Keys, which is a popular budget-friendly option. This does make it a very portable option, and we can easily fix that issue using software instruments. The only real downside to the SE-49 is that it comes with no sound generation capabilities (it’s a MIDI keyboard after all). It doesn’t have fancy features like pads, transport controls, or weighted keys but it has fully sized keys and solid pressure sensitivity. In my case, I’m working with the Nektar SE-49, a 49-key synth action MIDI keyboard. Learning as much as you can is nice, but it definitely overshoots the needs of the general public. Many tutorials online seem to assume the audience wants to become professional music producers. Naturally, embracing the digital side of music making isn’t simple, and it’s easy to get lost in the details. Many songs are in fact mixed with a simple Macbook and a pair of good headphones. If your impression of music studios still involves massive mixing consoles and archaic rack-mounted effects, you might be surprised. If you still aren’t convinced, software is a key part of music production. Forgoing software instruments because it makes performances ‘sterile’ or ‘lifeless’ is an outdated mindset and means you miss out on a lot.
Software gives the keyboardist a lot of flexibility. Many songs you hear on the radio use software piano libraries as opposed to mic’d up concert grands.
It sounds wild, but it’s not so farfetched. Using a budget keyboard and a mid-tier laptop, it’s possible to achieve radio-ready piano sounds that rival those from fully fledged digital pianos.
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